Alessandro Mendini (16 August 1931 – 18 February 2019) was an Italian designer and architect. He played an important part in the development of Italian, Postmodern, and Radical design. He also worked, aside from his artistic career, for Casabella, Modo and Domus magazines.
The character of his design is marked by what was his strong interest in mixing different cultures and different forms of expression; he created graphics, furniture, interiors, paintings and architecture and also wrote several articles and books. He was renowned as an enthusiastic member of jury in architectural competitions for young designers. He taught at the University of Milan.
Mendini was born in Milan. He graduated from Politecnico di Milano in 1959 with a degree in architecture and worked as a designer with Marcello Nizzoli. He was the editor-in-chief of Domus magazine from 1979 to 1985 and changed the landscape of modern design through his quintessential works of postmodernism, such as the Proust Armchair and the Groninger Museum. Just as works of the Renaissance period expressed human values and sensibilities, Mendini contributed to bringing into the heart of design those “values” and “sensibilities” that have been eclipsed by commercialism and functionalism. He collaborated with leading international brands including Cartier, Hermes, Vacheron Constantin, Swarovski, Venini, and Supreme.
From 1989 up until his death in Milan in 2019 he ran his own practice in Milan, the Atelier Mendini, together with his younger brother Francesco Mendini (b. 1939)
