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        Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if the power went out. It's out of scale to be a toy, out of scale to be a lamp, but it is also out of scale to be a gorilla. Kong becomes a powerful object, with an adjustable arm to direct the light beam at different angles, infinitely adjustable and with countless uses. Above all, it's no longer scary thanks to the designer's imagination and creativity. 

        Stefano Giovannoni

        Stefano Giovannoni was born in La Spezia in 1954, an architect and designer student of Buti at the University of Florence where he graduated in 1978. He collaborated with Ettore Sottsass and Alchimia-Mendini. He works as an architect, industrialist, and interior designer for companies such as Alessi - for whom he has designed more than 300 plastic and steel products - Amore Pacific, Artsana, Bertazzoni, Bisazza, Cederroth, Deborah, Elica, Fabbrica Pelletterie Milano, Fiat, Hannspree, Hanssem, Helit, Henkel, Honeywell, Inda, Kankio, KDDI, Kokuyo, Laufen, LG Hausys, L'Oreal - Maletti, Better, Mikakuto, Moooi, Nestle-Frisco, Nissan, NTT Docomo, Olivari, Oras, Oregon Scientific, Papernet-Sofidel, Promelit, Pulsar, Replay, Samsung, Seiko, Shaf, Siemens, Skitsch, Sodastream, SPC, Star, Telecom, Toto, 3M, Tubes, Veneta Cucine, Vondom, ZTE, etc. He has designed highly successful products such as the "Girotondo", the "Mami" series, "Il Bagno Alessi" and the "Bombo" series for Magis.

        Qeeboo

        Under the careful direction of Stefano Giovannoni in collaboration with the most eclectic international designers, integrating different styles and characters in a playful-narrative approach, extraordinary design products are born with the Qeeboo brand. Emotional and narrative objects that are openly non-bourgeois and accessible to all who, once created, are entrusted to our interpretation to acquire a new life.

        Qeeboo resumes and reinterprets the icons of our imagination in a fantastic way and gives them an unexpected, full of emotion and original image, introducing a collection of intelligent, ironic, and surprising objects.